Although her character does not appear in the books, Horvath was keen to learn more about the world of Tolkien, engaging with the fans. She plays the Númenórean Eärien, sister of Isildur, and daughter of Elendil. In 2022, Horvath joined the cast of the Prime Video fantasy television series The Lord of the Rings: The Rings of Power, which is based on the works of J. The same year, Horvath starred in the Quibi television series Don't Look Deeper. In 2020, Horvath continued her run of appearances in the horror genre when playing a 16 year old teenager in the horror film What Lies Below. The same year, Horvath starred in the 2019 American anthology horror film The Mortuary Collection, which was featured at the Fantasia International Film Festival. In 2019, Horvath landed the starring role of Auna Rue in the supernatural horror film The Gallows Act II. which had its world premiere at the Screamfest Horror Film Festival on October 18, 2017. Horvath's first screen role was as Shell in the Blumhouse Productions 2017 psychological horror film. Horvath graduated from Harvard in 2016 and pursued her acting career, having already secured her first screen role in the film. One of her first roles as a freshman was playing the lead character of Katerina in an all-female production of Shakespeare's The Taming of the Shrew. She received a Bachelor of Arts in English literature from Harvard University. Horvath studied acting for two years at the Interlochen Center for the Arts. Horvath's first experience with acting was at the age of five, in her debut acting role as a tulip at her local theatre. Horvath was born and raised in the United States by her parents, who were Slovak immigrants. Since 2022, she has played Eärien, the sister of Isildur, in the Amazon Prime fantasy television series The Lord of the Rings: The Rings of Power.Įma H. (2017), The Gallows Act II and The Mortuary Collection (both 2019), and What Lies Below (2020). Di Girolamo never takes a false step.Ema Horvath (born 28 January 1994) is an American actress. While Larraín has an undeniably strong eye, this film completely collapses without a believable performer in the title role, one who can sell both regret and passion, sometimes in the same dance move. Whether she’s literally dancing or flirting her way into multiple romantic affairs, she gives a captivating performance. As one says, “They think we do this for them, but we do this for us.” It seems like Ema and her dancers are done following instructions from men like Gaston and are finally willing to watch it all burn.Įveryone in “Ema” is strong, especially regular Larraín collaborator Bernal, who gets a few incredibly grounded dramatic beats, but the film belongs to Di Girolamo. The women in Ema’s troupe embrace this new form of constant expression, lighting cars on fire when they’re not dancing through the city. There’s an incredible number in the film that cuts Ema and her dance colleagues doing routines around this beautiful city with shots of her literally firing a flamethrower into the sky. She begins multiple sexual affairs and her dance routines, set to Reggaeton music, build in intensity that feels like she’s expressing both passion and pain she’s never released before. The decision and resulting dissolution of her marriage sends Ema into a spiral. Well, Ema is a villain at the school at which she teaches, where Polo was just a student, and Gaston is one in the dance troupe. The choice has not only turned them into walking ghosts but made them into villains in their community. However, after an incident involving a fire, they made the unthinkable decision and gave Polo back to the orphanage. They had a son named Polo, one whom they had adopted and made their own, even if Gaston thinks he was unnaturally close to Ema. As the film opens, intercutting to a mesmerizing stage performance with a backdrop that symbolically resembles both an exploding sun and a fertilizing egg, we are witness to conversations that reveal a recent rupture in the life of this couple. But despite some chronological jumps throughout, we don’t meet Ema and Gaston in a happy chapter of their union. Mariana Di Girolamo gives one of the best performances of the year as Ema, a young, talented dancer in the small town of Valparaíso, Chile, who has married the director of her dance company, Gaston ( Gael García Bernal, also giving a stunner of a performance).
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